A SPIRITUAL CANTICLE OF THE SOUL AND THE BRIDEGROOM CHRIST

( ST. JOHN OF THE CROSS)

 

 

 

PART 3:  EXPLANATION OF STANZAS 11 THROUGH 21

 

STANZA XI

Reveal Thy presence, And let the vision and Thy beauty kill me, Behold the malady Of love is incurable Except in Thy presence and before Thy face.

THE soul, anxious to be possessed by God, Who is so great, Whose love has wounded and stolen its heart, and unable to suffer more, beseeches Him directly, in this stanza, to reveal His beauty--that is, the divine Essence--and to slay it in that vision, separating it from the body, in which it can neither see nor possess Him as it desires. And further, setting before Him the distress and sorrow of heart, in which it continues, suffering it because of its love, and unable to find any other remedy than the glorious vision of the divine essence, cries out: 'Reveal Thy presence.'

2. To understand this clearly we must remember that there are three ways in which God is present in the soul. The first is His presence in essence, not in holy souls only, but in wretched and sinful souls as well, and also in all created things; for it is by this presence that He gives life and being, and were it once withdrawn all things would return to nothing. [93] This presence never fails in the soul.

3. The second is His presence by grace, whereby He dwells in the soul, pleased and satisfied with it. This presence is not in all souls; for those who fall into mortal sin lose it, and no soul can know in a natural way whether it has it or not. The third is His presence by spiritual affection. God is wont to show His presence in many devout souls in divers ways, in refreshment, joy, and gladness; yet this, like the others, is all secret, for He does not show Himself as He is, because the condition of our mortal life does not admit of it. Thus this prayer of the soul may be understood of any one of them.

'Reveal Thy presence.'

4. Inasmuch as it is certain that God is ever present in the soul, at least in the first way, the soul does not say, 'Be Thou present'; but, 'Reveal and manifest Thy hidden presence, whether natural, spiritual, or affective, in such a way that I may behold Thee in Thy divine essence and beauty.' The soul prays Him that as He by His essential presence gives it its natural being, and perfects it by His presence of grace, so also He would glorify it by the manifestation of His glory. But as the soul is now loving God with fervent affections, the presence, for the revelation of which it prays the Beloved to manifest, is to be understood chiefly of the affective presence of the Beloved. Such is the nature of this presence that the soul felt there was an infinite being hidden there, out of which God communicated to it certain obscure visions of His own divine beauty. Such was the effect of these visions that the soul longed and fainted away with the desire of that which is hidden in that presence.

5. This is in harmony with the experience of David, when he said: 'My soul longeth and fainteth for the courts of our Lord.' [94] The soul now faints with desire of being absorbed in the Sovereign Good which it feels to be present and hidden; for though it be hidden, the soul is most profoundly conscious of the good and delight which are there. The soul is therefore attracted to this good with more violence than matter is to its centre, and is unable to contain itself, by reason of the force of this attraction, from saying:

'Reveal Thy presence.'

6. Moses, on Mount Sinai in the presence of God, saw such glimpses of the majesty and beauty of His hidden Divinity, that, unable to endure it, he prayed twice for the vision of His glory saying: 'Whereas Thou hast said: I know thee by name, and thou hast found grace in my sight. If, therefore, I have found grace in Thy sight, shew me Thy face, that I may know Thee and may find grace before Thine eyes;' [95] that is, the grace which he longed for--to attain to the perfect love of the glory of God. The answer of our Lord was: 'Thou canst not see My face, for man shall not see Me and live.' [96] It is as if God had said: 'Moses, thy prayer is difficult to grant; the beauty of My face, and the joy in seeing Me is so great, as to be more than thy soul can bear in a mortal body that is so weak.' The soul accordingly, conscious of this truth, either because of the answer made to Moses or also because of that which I spoke of before, [97] namely, the feeling that there is something still in the presence of God here which it could not see in its beauty in the life it is now living, because, as I said before, [98] it faints when it sees but a glimpse of it. Hence it comes that it anticipates the answer that may be given to it, as it was to Moses, and says:

'Let the vision and Thy beauty kill me.'

7. That is, 'Since the vision of Thee and Thy beauty is so full of delight that I cannot endure, but must die in the act of beholding them, let the vision and Thy beauty kill me.'

8. Two visions are said to be fatal to man, because he cannot bear them and live. One, that of the basilisk, at the sight of which men are said to die at once. The other is the vision of God; but there is a great difference between them. The former kills by poison, the other with infinite health and bliss. It is, therefore, nothing strange for the soul to desire to die by beholding the beauty of God in order to enjoy Him for ever. If the soul had but one single glimpse of the majesty and beauty of God, not only would it desire to die once in order to see Him for ever, as it desires now, but would most joyfully undergo a thousand most bitter deaths to see Him even for a moment, and having seen Him would suffer as many deaths again to see Him for another moment.

9. It is necessary to observe for the better explanation of this line, that the soul is now speaking conditionally, when it prays that the vision and beauty may slay it; it assumes that the vision must be preceded by death, for if it were possible before death, the soul would not pray for death, because the desire of death is a natural imperfection. The soul, therefore, takes it for granted that this corruptible life cannot coexist with the incorruptible life of God, and says:

'Let the vision and Thy beauty kill me.'

10. St. Paul teaches this doctrine to the Corinthians when he says: 'We would not be spoiled, but overclothed, that that which is mortal may be swallowed up of life,' [99] That is, 'we would not be divested of the flesh, but invested with glory.' But reflecting that he could not live in glory and in a mortal body at the same time, he says to the Philippians: 'having a desire to be dissolved and to be with Christ.' [100]

11. Here arises this question, Why did the people of Israel of old dread and avoid the vision of God, that they might not die, as it appears they did from the words of Manue to his wife, 'We shall die because we have seen God,' [101] when the soul desires to die of that vision? To this question two answers may be given.

12. In those days men could not see God, though dying in the state of grace, because Christ had not come, It was therefore more profitable for them to live in the flesh, increasing in merit, and enjoying their natural life, than to be in Limbus, incapable of meriting, suffering in the darkness and in the spiritual absence of God. They therefore considered it a great grace and blessing to live long upon earth.

13. The second answer is founded on considerations drawn from the love of God. They in those days, not being so confirmed in love, nor so near to God by love, were afraid of the vision: but, now, under the law of grace, when, on the death of the body, the soul may behold God, it is more profitable to live but a short time, and then to die in order to see Him. And even if the vision were withheld, the soul that really loves God will not be afraid to die at the sight of Him; for true love accepts with perfect resignation, and in the same spirit, and even with joy, whatever comes to it from the hands of the Beloved, whether prosperity or adversity--yea, and even chastisements such as He shall be pleased to send, for, as St. John saith, 'perfect charity casteth out fear.' [102]

14. Thus, then, there is no bitterness in death to the soul that loves, when it brings with it all the sweetness and delights of love; there is no sadness in the remembrance of it when it opens the door to all joy; nor can it be painful and oppressive, when it is the end of all unhappiness and sorrow, and the beginning of all good. Yea, the soul looks upon it as a friend and its bride, and exults in the recollection of it as the day of espousals; it yearns for the day and hour of death more than the kings of the earth for principalities and kingdoms.

15. It was of this kind of death that the wise man said, 'O death, thy judgment is good to the needy man.' [103] If it be good to the needy man, though it does not supply his wants, but on the contrary deprives him even of what he hath, how much more good will it be to the soul in need of love and which is crying for more, when it will not only not rob it of the love it hath already, but will be the occasion of that fulness of love which it yearns for, and is the supply of all its necessities. It is not without reason, then, that the soul ventures to say:

'Let the vision and Thy beauty kill me.'

16. The soul knows well that in the instant of that vision it will be itself absorbed and transformed into that beauty, and be made beautiful like it, enriched, and abounding in beauty as that beauty itself. This is why David said, 'Precious in the sight of the Lord is the death of His saints,' [104] but that could not be if they did not become partakers of His glory, for there is nothing precious in the eyes of God except that which He is Himself, and therefore, the soul, when it loves, fears not death, but rather desires it. But the sinner is always afraid to die, because he suspects that death will deprive him of all good, and inflict upon him all evil; for in the words of David, 'the death of the wicked is very evil,' [105] and therefore, as the wise man saith, the very thought of it is bitter: 'O death, how bitter is thy memory to a man that hath peace in his riches!' [106] The wicked love this life greatly, and the next but little, and are therefore afraid of death; but the soul that loves God lives more in the next life than in this, because it lives rather where it loves than where it dwells, and therefore esteeming but lightly its present bodily life, cries out: 'Let the vision and Thy beauty kill me.'

'Behold, the malady of love is incurable, except in Thy presence and before Thy face.'

17. The reason why the malady of love admits of no other remedy than the presence and countenance of the Beloved is, that the malady of love differs from every other sickness, and therefore requires a different remedy. In other diseases, according to sound philosophy, contraries are cured by contraries; but love is not cured but by that which is in harmony with itself. The reason is that the health of the soul consists in the love of God; and so when that love is not perfect, its health is not perfect, and the soul is therefore sick, for sickness is nothing else but a failure of health. Thus, that soul which loves not at all is dead; but when it loves a little, how little soever that may be, it is then alive, though exceedingly weak and sick because it loves God so little. But the more its love increases, the greater will be its health, and when its love is perfect, then, too, its health also is perfect. Love is not perfect until the lovers become so on an equality as to be mutually transformed into one another; then love is wholly perfect.

18. And because the soul is now conscious of a certain adumbration of love, which is the malady of which it here speaks, yearning to be made like to Him of whom it is a shadow, that is the Bridegroom, the Word, the Son of God, Who, as St. Paul saith, is the 'splendour of His glory, and the figure of His substance;' [107] and because it is into this figure it desires to be transformed by love, cries out, 'Behold, the malady of love is incurable except in Thy presence, and in the light of Thy Countenance.' The love that is imperfect is rightly called a malady, because as a sick man is enfeebled and cannot work, so the soul that is weak in love is also enfeebled and cannot practise heroic virtue.

19. Another explanation of these words is this: he who feels this malady of love--that is, a failure of it--has an evidence in himself that he has some love, because he ascertains what is deficient in him by that which he possesses. But he who is not conscious of this malady has evidence therein that he has no love at all, or that he has already attained to perfect love.

NOTE

THE soul now conscious of a vehement longing after God, like a stone rushing to its centre, and like wax which has begun to receive the impression of the seal which it cannot perfectly represent, and knowing, moreover, that it is like a picture lightly sketched, crying for the artist to finish his work, and having its faith so clear as to trace most distinctly certain divine glimpses of the majesty of God, knows not what else to do but to turn inward to that faith--as involving and veiling the face and beauty of the Beloved--from which it hath received those impressions and pledges of love, and which it thus addresses:

STANZA XII

O crystal well! O that on Thy silvered surface Thou wouldest mirror forth at once Those desired eyes Which are outlined in my heart.

THE soul vehemently desiring to be united to the Bridegroom, and seeing that there is no help or succour in created things, turns towards the faith, as to that which gives it the most vivid vision of the Beloved, and adopts it as the means to that end. And, indeed, there is no other way of attaining to true union, to the spiritual betrothal of God, according to the words of Osee: 'I will betrothe thee to Me in faith.' [108] In this fervent desire it cries out in the words of this stanza, which are in effect this: 'O faith of Christ, my Bridegroom! Oh that thou wouldest manifest clearly those truths concerning the Beloved, secretly and obscurely infused--for faith is, as theologians say, an obscure habit--so that thy informal and obscure communications may be in a moment clear; Oh that thou wouldest withdraw thyself formally and completely from these truths--for faith is a veil over the truths of God--and reveal them perfectly in glory.' Accordingly it says:

'O crystal well!'

2. Faith is called crystal for two reasons: because it is of Christ the Bridegroom; because it has the property of crystal, pure in its truths, a limpid well clear of error, and of natural forms. It is a well because the waters of all spiritual goodness flow from it into the soul. Christ our Lord, speaking to the woman of Samaria, calls faith a well, saying, 'The water that I will give him shall become in him a well of water springing up into life everlasting.' [109] This water is the Spirit which they who believe shall receive by faith in Him. ÔNow this He said of the Spirit which they who believed in Him should receive.' [110]

'Oh that on thy silvered surface.'

3. The articles and definitions of the faith are called silvered surfaces. In order to understand these words and those that follow, we must know that faith is compared to silver because of the propositions it teaches us, the truth and substance it involves being compared to gold. This very substance which we now believe, hidden behind the silver veil of faith, we shall clearly behold and enjoy hereafter; the gold of faith shall be made manifest. Hence the Psalmist, speaking of this, saith: ÔIf ye sleep amidst the lots, the wings of the dove are laid over with silver, and the hinder parts of the back in the paleness of gold.' [111] That means if we shall keep the eyes of the understanding from regarding the things of heaven and of earth--this the Psalmist calls sleeping in the midst--we shall be firm in the faith, here called dove, the wings of which are the truths laid over with silver, because in this life the faith puts these truths before us obscurely beneath a veil. This is the reason why the soul calls them silvered surface. But when faith shall have been consummated in the clear vision of God, then the substance of faith, the silver veil removed, will shine as gold.

4. As the faith gives and communicates to us God Himself, but hidden beneath the silver of faith, yet it reveals Him none the less. So if a man gives us a vessel made of gold, but covered with silver, he gives us in reality a vessel of gold, though the gold be covered over. Thus, when the bride in the Canticle was longing for the fruition of God, He promised it to her so far as the state of this life admitted of it, saying: 'We will make thee chains of gold inlaid with silver.' [112] He thus promised to give Himself to her under the veil of faith. Hence the soul addresses the faith, saying: 'Oh that on thy silvered surface'--the definitions of faith--'in which thou hidest' the gold of the divine rays-- which are the desired eyes,--instantly adding:

'Thou wouldest mirror forth at once those desired eyes!'

5. By the eyes are understood, as I have said, the rays and truths of God, which are set before us hidden and informal in the definitions of the faith. Thus the words say in substance: 'Oh that thou wouldest formally and explicitly reveal to me those hidden truths which Thou teachest implicitly and obscurely in the definitions of the faith; according to my earnest desire.' Those truths are called eyes, because of the special presence of the Beloved, of which the soul is conscious, believing Him to be perpetually regarding it; and so it says:

'Which are outlined in my heart.'

6. The soul here says that these truths are outlined in the heart-- that is, in the understanding and the will. It is through the understanding that these truths are infused into the soul by faith. They are said to be outlined because the knowledge of them is not perfect. As a sketch is not a perfect picture, so the knowledge that comes by faith is not a perfect understanding. The truths, therefore, infused into the soul by faith are as it were in outline, and when the clear vision shall be granted, then they will be as a perfect and finished picture, according to the words of the Apostle: 'When that shall come which is perfect, that shall be made void which is in part.' [113] 'That which is perfect' is the clear vision, and 'that which is in part' is the knowledge that comes by faith.

7. Besides this outline which comes by faith, there is another by love in the soul that loves--that is, in the will--in which the face of the Beloved is so deeply and vividly pictured, when the union of love occurs, that it may be truly said the Beloved lives in the loving soul, and the loving soul in the Beloved. Love produces such a resemblance by the transformation of those who love that one may be said to be the other, and both but one. The reason is, that in the union and transformation of love one gives himself up to the other as his possession, and each resigns, abandons, and exchanges himself for the other, and both become but one in the transformation wrought by love.

8. This is the meaning of St. Paul when he said, 'I live, now, not I, but Christ liveth in me.' [114] In that He saith, 'I live, now, not I,' his meaning is, that though he lived, yet the life he lived was not his own, because he was transformed in Christ: that his life was divine rather than human; and for that reason, he said it was not he that lived, but Christ Who lived in him. We may therefore say, according to this likeness of transformation, that his life and the life of Christ were one by the union of love. This will be perfect in heaven in the divine life of all those who shall merit the beatific vision; for, transformed in God, they will live the life of God and not their own, since the life of God will be theirs. Then they will say in truth. 'We live, but not we ourselves, for God liveth in us.'

9. Now, this may take place in this life, as in the case of St. Paul, but not perfectly and completely, though the soul should attain to such a transformation of love as shall be spiritual marriage, which is the highest state it can reach in this life; because all this is but an outline of love compared with the perfect image of transformation in glory. Yet, when this outline of transformation is attained in this life, it is a grand blessing, because the Beloved is so greatly pleased therewith. He desires, therefore, that the bride should have Him thus delineated in her soul, and saith unto her, 'Put Me as a seal upon thy heart, as a seal upon thy arm.' [115] The heart here signifies the soul, wherein God in this life dwells as an impression of the seal of faith, and the arm is the resolute will, where He is as the impressed token of love.

10. Such is the state of the soul at that time. I speak but little of it, not willing to leave it altogether untouched, though no language can describe it.

11. The very substance of soul and body seems to be dried up by thirst after this living well of God, for the thirst resembles that of David when he cried out, 'As the hart longeth for the fountains of waters, so my soul longeth for Thee, O God. My soul hath thirsted after the strong living God; when shall I come and appear before the face of God?' [116] So oppressive is this thirst to the soul, that it counts it as nothing to break through the camp of the Philistines, like the valiant men of David, to fill its pitcher with 'water out of the cisterns of Bethlehem,' [117] which is Christ. The trials of this world, the rage of the devil, and the pains of hell are nothing to pass through, in order to plunge into this fathomless fountain of love.

12. To this we may apply those words in the Canticle: 'Love is strong as death, jealousy is hard as hell.' [118] It is incredible how vehement are the longings and sufferings of the soul when it sees itself on the point of testing this good, and at the same time sees it withheld; for the nearer the object desired, the greater the pangs of its denial: 'Before I eat,' saith Job, 'I sigh, and as it were overflowing waters so my roaring' [119] and hunger for food. God is meant here by food; for in proportion to the soul's longing for food, and its knowledge of God, is the pain it suffers now.

NOTE

THE source of the grievous sufferings of the soul at this time is the consciousness of its own emptiness of God--while it is drawing nearer and nearer to Him--and also, the thick darkness with the spiritual fire, which dry and purify it, that, its purification ended, it may be united with God. For when God sends not forth a ray of supernatural light into the soul, He is to it intolerable darkness when He is even near to it in spirit, for the supernatural light by its very brightness obscures the mere natural light. David referred to this when he said: 'Cloud and mist round about Him . . . a fire shall go before Him.' [120] And again: 'He put darkness His covert; His tabernacle is round about Him, darksome waters in the clouds of the air. Because of the brightness in His sight the clouds passed, hail and coals of fire.' [121] The soul that approaches God feels Him to be all this more and more the further it advances, until He shall cause it to enter within His divine brightness through the transformation of love. But the comfort and consolations of God are, by His infinite goodness, proportional to the darkness and emptiness of the soul, as it is written, 'As the darkness thereof, so also the light thereof.' [122] And because He humbles souls and wearies them, while He is exalting them and making them glorious, He sends into the soul, in the midst of its weariness, certain divine rays from Himself, in such gloriousness and strength of love as to stir it up from its very depths, and to change its whole natural condition. Thus, the soul, in great fear and natural awe, addresses the Beloved in the first words of the following stanza, the remainder of which is His answer:

STANZA XIII

Turn them away, O my Beloved! I am on the Wing.

THE BRIDEGROOM

Return, My Dove! The wounded hart Looms on the hill In the air of thy flight and is refreshed.

EXPLANATION

AMID those fervent affections of love, such as the soul has shown in the preceding stanzas, the Beloved is wont to visit His bride, tenderly, lovingly, and with great strength of love; for ordinarily the graces and visits of God are great in proportion to the greatness of those fervours and longings of love which have gone before. And, as the soul has so anxiously longed for the divine eyes--as in the foregoing stanza--the Beloved reveals to it some glimpses of His majesty and Godhead, according to its desires. These divine rays strike the soul so profoundly and so vividly that it is rapt into an ecstasy which in the beginning is attended with great suffering and natural fear. Hence the soul, unable to bear the ecstasies in a body so frail, cries out, 'Turn away thine eyes from me.'

'Turn them away, O my Beloved!'

2. That is, 'Thy divine eyes, for they make me fly away out of myself to the heights of contemplation, and my natural force cannot bear it.' This the soul says because it thinks it has escaped from the burden of the flesh, which was the object of its desires; it therefore prays the Beloved to turn away His eyes; that is, not to show them in the body where it cannot bear and enjoy them as it would, but to show them to it in its flight from the body. The Bridegroom at once denies the request and hinders the flight, saying, 'Return, My Dove! for the communications I make to thee now are not those of the state of glory wherein thou desirest to be; but return to Me, for I am He Whom thou, wounded with love, art seeking, and I, too, as the hart, wounded with thy love, begin to show Myself to thee on the heights of contemplation, and am refreshed and delighted by the love which thy contemplation involves.' The soul then says to the Bridegroom:

'Turn them away, O my Beloved!'

3. The soul, because of its intense longing after the divine eyes-- that is, the Godhead--receives interiorly from the Beloved such communications and knowledge of God as compel it to cry out, 'Turn them away, O my Beloved!' For such is the wretchedness of our mortal nature, that we cannot bear--even when it is offered to us-- but at the cost of our life, that which is the very life of the soul, and the object of its earnest desires, namely, the knowledge of the Beloved. Thus the soul is compelled to say, with regard to the eyes so earnestly, so anxiously sought for, and in so many ways--when they become visible--'Turn them away.'

4. So great, at times, is the suffering of the soul during these ecstatic visitations--and there is no other pain which so wrenches the very bones, and which so oppresses our natural forces--that, were it not for the special interference of God, death would ensue. And, in truth, such is it to the soul, the subject of these visitations, for it feels as if it were released from the body and a stranger to the flesh. Such graces cannot be perfectly received in the body, because the spirit of man is lifted up to the communion of the Spirit of God, Who visits the soul, and must therefore of necessity be in some measure a stranger to the body. Hence it is that the flesh has to suffer, and consequently the soul in it, by reason of their union in one person. The great agony of the soul, therefore, in these visitations, and the great fear that overwhelms it when God deals with it in the supernatural way, [123] force it to cry out, 'Turn them away, O my Beloved!'

5. But it is not to be supposed, however, that the soul really wishes Him to turn away His eyes; for this is nothing else but the expression of natural awe, as I said before. [124] Yea, rather, cost they what they may, the soul would not willingly miss these visitations and favours of the Beloved; for though nature may suffer, the spirit flies to this supernatural recollection in order to enjoy the spirit of the Beloved, the object of its prayers and desires. The soul is unwilling to receive these visitations in the body, when it cannot have the perfect fruition of them, and only in a slight degree and in pain; but it covets them in the flight of the disembodied spirit when it can enjoy them freely. Hence it says, 'Turn them away, my Beloved'--that is, Do not visit me in the flesh.

'I am on the wing.'

6. It is as if it said, 'I am taking my flight out of the body, that Thou mayest show them when I shall have left it; they being the cause of my flight out of the body.' For the better understanding of the nature of this flight we should consider that which I said just now. [125] In this visitation of the divine Spirit the spirit of the soul is with great violence borne upwards into communion with the divine, the body is abandoned, all its acts and senses are suspended, because they are absorbed in God. Thus the Apostle, St. Paul, speaking of his own ecstasy, saith, 'Whether in the body or out of the body, I cannot tell.' [126] But we are not to suppose that the soul abandons the body, and that the natural life is destroyed, but only that its actions have then ceased.

7. This is the reason why the body remains insensible in raptures and ecstasies, and unconscious of the most painful inflictions. These are not like the swoons and faintings of the natural life, which cease when pain begins. They who have not arrived at perfection are liable to these visitations, for they happen to those who are walking in the way of proficients. They who are already perfect receive these visitations in peace and in the sweetness of love: ecstasies cease, for they were only graces to prepare them for this greater grace.

8. This is a fitting place for discussing the difference between raptures, ecstasies, other elevations and subtile flights of the spirit, to which spiritual persons are liable; but, as I intend to do nothing more than explain briefly this canticle, as I undertook in the prologue, I leave the subject for those who are better qualified than I am. I do this the more readily, because our mother, the blessed Teresa of Jesus, has written admirably on this matter, [127] whose writings I hope in God to see published soon. The flight of the soul in this place, then, is to be understood of ecstasy, and elevation of spirit in God. The Beloved immediately says:

'Return, My Dove.'

9. The soul was joyfully quitting the body in its spiritual flight, thinking that its natural life was over, and that it was about to enter into the everlasting fruition of the Bridegroom, and remain with Him without a veil between them. He, however, restrains it in its flight, saying:

'Return, My Dove.'

10. It is as if He said, 'O My Dove, in thy high and rapid flight of contemplation, in the love wherewith thou art inflamed, in the simplicity of thy regard'--these are three characteristics of the dove--'return from that flight in which thou aimest at the true fruition of Myself--the time is not yet come for knowledge so high--return, and submit thyself to that lower degree of it which I communicate in this thy rapture.'

'The wounded hart.'

11. The Bridegroom likens Himself to a hart, for by the hart here He means Himself. The hart by nature climbs up to high places, and when wounded hastens to seek relief in the cooling waters. If he hears his consort moan and sees that she is wounded, he runs to her at once, comforts, and caresses her. So the Bridegroom now; for, seeing the bride wounded with His love, He, too, hearing her moaning, is wounded Himself with her love; for with lovers the wound of one is the wound of the other, and they have the same feelings in common. The Bridegroom, therefore, saith in effect: 'Return, my bride, to Me; for as thou art wounded with the love of Me, I too, like the hart, am wounded by love for thee. I am like the hart, looming on the top of the hill.' Therefore He says:

'Looms on the hill.'

12. That is, 'on the heights of contemplation, to which thou hast ascended in thy flight.' Contemplation is a lofty eminence where God, in this life, begins to communicate Himself to the soul, and to show Himself, but not distinctly. Hence it is said, 'Looms on the hill,' because He does not appear clearly. However profound the knowledge of Himself which God may grant to the soul in this life, it is, after all, but an indistinct vision. We now come to the third property of the hart, the subject of the line that follows:

'In the air of thy flight, and is refreshed.'

13. The flight is contemplation in the ecstasy spoken of before, [128] and the air is the spirit of love produced in the soul by this flight of contemplation, and this love produced by the flight is here with great propriety called 'air,' for the Holy Ghost also is likened to air in the Sacred Writings, because He is the breath of the Father and the Son. And so as He is there the air of the flight--that is, that He proceeds by the will from the contemplation and wisdom of the Father and the Son, and is breathed--so here the love of the soul is called air by the Bridegroom, because it proceeds from the contemplation of God and the knowledge of Him which at this time is possessed by the soul.

14. We must observe here that the Bridegroom does not say that He cometh at the flight, but at the air of the flight, because properly speaking God does not communicate Himself to the soul because of that flight, which is, as I have said, the knowledge it has of God, but because of the love which is the fruit of that knowledge. For as love is the union of the Father and the Son, so is it also of God and the soul.

15. Hence it is that notwithstanding the most profound knowledge of God, and contemplation itself, together with the knowledge of all mysteries, the soul without love is nothing worth, and can do nothing, as the Apostle saith, towards its union with God. [129] In another place he saith, 'Have charity, which is the bond of perfection.' [130] This charity then and love of the soul make the Bridegroom run to drink of the fountain of the Bride's love, as the cooling waters attract the thirsty and the wounded hart, to be refreshed therein.

'And is refreshed.'

16. As the air cools and refreshes him who is wearied with the heat, so the air of love refreshes and comforts him who burns with the fire of love. The fire of love hath this property, the air which cools and refreshes it is an increase of the fire itself. To him who loves, love is a flame that burns with the desire of burning more and more, like the flame of material fire. The consummation of this desire of burning more and more, with the love of the bride, which is the air of her flight, is here called refreshment. The Bridegroom says in substance, 'I burn more and more because of the ardour of thy flight, for love kindles love.'

17. God does not establish His grace and love in the soul but in proportion to the good will of that soul's love. He, therefore, that truly loves God must strive that his love fail not; for so, if we may thus speak, will he move God to show him greater love, and to take greater delight in his soul. In order to attain to such a degree of love, he must practise those things of which the Apostle speaks, saying: 'Charity is patient, is benign: charity envieth not, dealeth not perversely; is not puffed up, is not ambitious, seeketh not her own, is not provoked to anger, thinketh not evil, rejoiceth not upon iniquity, but rejoiceth with the truth; beareth all things, believeth all things, hopeth all things, endureth all things.' [131]

NOTE

WHEN the dove--that is the soul--was flying on the gale of love over the waters of the deluge of the weariness and longing of its love, 'not finding where her foot might rest,' [132] the compassionate father Noe, in this last flight, put forth the hand of his mercy, caught her, and brought her into the ark of his charity and love. That took place when the Bridegroom, as in the stanza now explained, said, 'Return, My Dove.' In the shelter within the ark, the soul, finding all it desired, and more than it can ever express, begins to sing the praises of the Beloved, celebrating the magnificence which it feels and enjoys in that union, saying:

STANZAS XIV, XV

THE BRIDE

My Beloved is the mountains, The solitary wooded valleys, The strange islands, The roaring torrents, The whisper of the amorous gales;

The tranquil night At the approaches of the dawn, The silent music, The murmuring solitude, The supper which revives, and enkindles love.

BEFORE I begin to explain these stanzas, I must observe, in order that they and those which follow may be better understood, that this spiritual flight signifies a certain high estate and union of love, whereunto, after many spiritual exercises, God is wont to elevate the soul: it is called the spiritual betrothal of the Word, the Son of God. In the beginning, when this occurs the first time, God reveals to it great things of Himself, makes it beautiful in majesty and grandeur, adorns it with graces and gifts, and endows it with honour, and with the knowledge of Himself, as a bride is adorned on the day of her betrothal. On this happy day the soul not only ceases from its anxieties and loving complaints, but is, moreover, adorned with all grace, entering into a state of peace and delight, and of the sweetness of love, as it appears from these stanzas, in which it does nothing else but recount and praise the magnificence of the Beloved, which it recognises in Him, and enjoys in the union of the betrothal.

2. In the stanzas that follow, the soul speaks no more of its anxieties and sufferings, as before, but of the sweet and peaceful intercourse of love with the Beloved; for now all its troubles are over. These two stanzas, which I am about to explain, contain all that God is wont at this time to bestow upon the soul; but we are not to suppose that all souls, thus far advanced, receive all that is here described, either in the same way or in the same degree of knowledge and of consciousness. Some souls receive more, others less; some in one way, some in another; and yet all may be in the state of spiritual betrothal. But in this stanza the highest possible is spoken of, because that embraces all.

EXPLANATION

3. As in the ark of Noe there were many chambers for the different kinds of animals, as the Sacred Writings tell us, and 'all food that may be eaten,' [133] so the soul, in its flight to the divine ark of the bosom of God, sees therein not only the many mansions of which our Lord speaks, but also all the food, that is, all the magnificence in which the soul may rejoice, and which are here referred to by the common terms of these stanzas. These are substantially as follows:

4. In this divine union the soul has a vision and foretaste of abundant and inestimable riches, and finds there all the repose and refreshment it desired; it attains to the secrets of God, and to a strange knowledge of Him, which is the food of those who know Him most; it is conscious of the awful power of God beyond all other power and might, tastes of the wonderful sweetness and delight of the Spirit, finds its true rest and divine light, drinks deeply of the wisdom of God, which shines forth in the harmony of the creatures and works of God; it feels itself filled with all good, emptied, and delivered from all evil, and, above all, rejoices consciously in the inestimable banquet of love which confirms it in love. This is the substance of these two stanzas.

5. The bride here says that her Beloved in Himself and to her is all the objects she enumerates; for in the ecstatic communications of God the soul feels and understands the truth of the saying of St. Francis: 'God is mine and all things are mine.' And because God is all, and the soul, and the good of all, the communication in this ecstasy is explained by the consideration that the goodness of the creatures referred to in these stanzas is a reflection of His goodness, as will appear from every line thereof. All that is here set forth is in God eminently in an infinite way, or rather, every one of these grandeurs is God, and all of them together are God. Inasmuch as the soul is one with God, it feels all things to be God according to the words of St. John: 'What was made, in Him was life.' [134]

6. But we are not to understand this consciousness of the soul as if it saw the creatures in God as we see material objects in the light, but that it feels all things to be God in this fruition of Him; neither are we to imagine that the soul sees God essentially and clearly because it has so deep a sense of Him; for this is only a strong and abundant communication from Him, a glimmering light of what He is in Himself, by which the soul discerns this goodness of all things, as I proceed to explain.

'My Beloved is the mountains.'

7. Mountains are high fertile, extensive, beautiful, lovely, flowery, and odorous. These mountains my Beloved is to me.

'The solitary wooded valleys.'

8. Solitary valleys are tranquil, pleasant, cooling, shady, abounding in sweet waters, and by the variety of trees growing in them, and by the melody of the birds that frequent them, enliven and delight the senses; their solitude and silence procure us a refreshing rest. These valleys my Beloved is to me.

'The strange islands.'

9. Strange islands are girt by the sea; they are also, because of the sea, distant and unknown to the commerce of men. They produce things very different from those with which we are conversant, in strange ways, and with qualities hitherto unknown, so as to surprise those who behold them, and fill them with wonder. Thus, then, by reason of the great and marvellous wonders, and the strange things that come to our knowledge, far beyond the common notions of men, which the soul beholds in God, it calls Him the strange islands. We say of a man that he is strange for one of two reasons: either because he withdraws himself from the society of his fellows, or because he is singular or distinguished in his life and conduct. For these two reasons together God is called strange by the soul. He is not only all that is strange in undiscovered islands, but His ways, judgments, and works are also strange, new, and marvellous to men.

10. It is nothing wonderful that God should be strange to men who have never seen Him, seeing that He is also strange to the holy angels and the souls who see Him; for they neither can nor shall ever see Him perfectly. Yea, even to the day of the last judgment they will see in Him so much that is new in His deep judgments, in His acts of mercy and justice, as to excite their wonder more and more. Thus God is the strange islands not to men only, but to the angels also; only to Himself is He neither strange nor new.

'The roaring torrents.'

11. Torrents have three properties. 1. They overflow all that is in their course. 2. They fill all hollows. 3. They overpower all other sounds by their own. And hence the soul, feeling most sweetly that these three properties belong to God, says, 'My Beloved is the roaring torrents.'

12. As to the first property of which the soul is conscious, it feels itself to be so overwhelmed with the torrent of the Spirit of God, and so violently overpowered by it, that all the waters in the world seem to it to have surrounded it, and to have drowned all its former actions and passions. Though all this be violent, yet there is nothing painful in it, for these rivers are rivers of peace, as it is written, God, speaking through Isaias, saying, 'I will decline upon her, as it were, a flood of peace, and as a torrent overflowing glory.' [135] That is, 'I will bring upon the soul, as it were, a river of peace, and a torrent overflowing with glory.' Thus this divine overflowing, like roaring torrents, fills the soul with peace and glory. The second property the soul feels is that this divine water is now filling the vessels of its humility and the emptiness of its desires, as it is written: 'He hath exalted the humble, and filled the hungry with good.' [136] The third property of which the soul is now conscious in the roaring torrents of the Beloved is a spiritual sound and voice overpowering all other sounds and voices in the world. The explanation of this will take a little time.

13. This voice, or this murmuring sound of the waters, is an overflowing so abundant as to fill the soul with good, and a power so mighty seizing upon it as to seem not only the sound of many waters, but a most loud roaring of thunder. But the voice is a spiritual voice, unattended by material sounds or the pain and torment of them, but rather with majesty, power, might, delight, and glory: it is, as it were, a voice, an infinite interior sound which endows the soul with power and might. The Apostles heard in spirit this voice when the Holy Ghost descended upon them in the sound 'as of a mighty wind,' [137] as we read in the Acts of the Apostles. In order to manifest this spiritual voice, interiorly spoken, the sound was heard exteriorly, as of a rushing wind, by all those who were in Jerusalem. This exterior manifestation reveals what the Apostles interiorly received, namely, fulness of power and might.

14. So also when our Lord Jesus prayed to the Father because of His distress and the rage of His enemies, He heard an interior voice from heaven, comforting Him in His Sacred Humanity. The sound, solemn and grave, was heard exteriorly by the Jews, some of whom said that it thundered: others said, 'An angel hath spoken to Him.' [138] The voice outwardly heard was the outward sign and expression of that strength and power which Christ then inwardly received in His human nature. We are not to suppose that the soul does not hear in spirit the spiritual voice because it is also outwardly heard. The spiritual voice is the effect on the soul of the audible voice, as material sounds strike the ear, and impress the meaning of it on the mind. This we learn from David when he said, 'He will give to His voice the voice of strength;' [139] this strength is the interior voice. He will give to His voice-- that is, the outward voice, audibly heard--the voice of strength which is felt within. God is an infinite voice, and communicating Himself thus to the soul produces the effect of an infinite voice.

15. This voice was heard by St. John, saying in the Apocalypse, 'I heard a voice from heaven as the voice of many waters, and as the voice of great thunder.' And, lest it should be supposed that a voice so strong was distressing and harsh, he adds immediately, 'The voice which I heard was as the voice of harpers harping on their harps.' [140] Ezechiel says that this sound as of many waters was 'as it were the sound of the High God,' [141] profoundly and sweetly communicated in it. This voice is infinite, because, as I have said, it is God Who communicates Himself, speaking in the soul; but He adapts Himself to each soul, uttering the voice of strength according to its capacity, in majesty and joy. And so the bride sings in the Canticle: 'Let Thy voice sound in my ears, for Thy voice is sweet.' [142]

'The whisper of the amorous gales.'

16. Two things are to be considered here--gales and whisper. The amorous gales are the virtues and graces of the Beloved, which, because of its union with the Bridegroom, play around the soul, and, most lovingly sent forth, touch it in their own substance. The whisper of the gales is a most sublime and sweet knowledge of God and of His attributes, which overflows into the understanding from the contact of the attributes of God with the substance of the soul. This is the highest delight of which the soul is capable in this life.

17. That we may understand this the better, we must keep in mind that as in a gale two things are observable--the touch of it, and the whisper or sound--so there are two things observable also in the communications of the Bridegroom--the sense of delight, and the understanding of it. As the touch of the air is felt in the sense of touch, and the whisper of it heard in the ear, so also the contact of the perfections of the Beloved is felt and enjoyed in the touch of the soul--that is, in the substance thereof, through the instrumentality of the will; and the knowledge of the attributes of God felt in the hearing of the soul--that is, in the understanding.

18. The gale is said to blow amorously when it strikes deliciously, satisfying his desire who is longing for the refreshing which it ministers; for it then revives and soothes the sense of touch, and while the sense of touch is thus soothed, that of hearing also rejoices and delights in the sound and whisper of the gale more than the touch in the contact of the air, because the sense of hearing is more spiritual, or, to speak with greater correctness, is more nearly connected with the spiritual than is that of touch, and the delight thereof is more spiritual than is that of the touch. So also, inasmuch as this touch of God greatly satisfies and comforts the substance of the soul, sweetly fulfilling its longing to be received into union; this union, or touch, is called amorous gales, because, as I said before, the perfections of the Beloved are by it communicated to the soul lovingly and sweetly, and through it the whisper of knowledge to the understanding. It is called whisper, because, as the whisper of the air penetrates subtiley into the organ of hearing, so this most subtile and delicate knowledge enters with marvellous sweetness and delight into the inmost substance of the soul, which is the highest of all delights.

19. The reason is that substantial knowledge is now communicated intelligibly, and stripped of all accidents and images, to the understanding, which philosophers call passive or passible, because inactive without any natural efforts of its own during this communication. This is the highest delight of the soul, because it is in the understanding, which is the seat of fruition, as theologians teach, and fruition is the vision of God. Some theologians think, inasmuch as this whisper signifies the substantial intelligence, that our father Elias had a vision of God in the delicate whisper of the air, which he heard on the mount at the mouth of the cave. The Holy Scripture calls it 'the whistling of a gentle wind,' [143] because knowledge is begotten in the understanding by the subtile and delicate communication of the Spirit. The soul calls it here the whisper of the amorous gales, because it flows into the understanding from the loving communication of the perfections of the Beloved. This is why it is called the whisper of the amorous gales.

20. This divine whisper which enters in by the ear of the soul is not only substantial knowledge, but a manifestation also of the truths of the Divinity, and a revelation of the secret mysteries thereof. For in general, in the Holy Scriptures, every communication of God said to enter in by the ear is a manifestation of pure truths to the understanding, or a revelation of the secrets of God. These are revelations on purely spiritual visions, and are communicated directly to the soul without the intervention of the senses, and thus, what God communicates through the spiritual ear is most profound and most certain. When St. Paul would express the greatness of the revelations made to him, he did not say, 'I saw or I perceived secret words,' but 'I heard secret words which it is not granted to man to utter.' [144] It is thought that St. Paul also saw God, as our father Elias, in the whisper of a gentle air. For as 'faith cometh by hearing'--so the Apostle teaches--that is, by the hearing of the material ear, so also that which the faith teaches, the intelligible truth, cometh by spiritual hearing.

21. The prophet Job, speaking to God, when He revealed Himself unto him, teaches the same doctrine, saying, 'With the hearing of the ear I have heard Thee, but now my eye seeth Thee.' [145] It is clear, from this, that to hear with the ear of the soul is to see with the eye of the passive understanding. He does not say, 'I heard with the hearing of my ears,' but 'with the hearing of my ear'; nor, 'with the seeing of my eyes,' but 'with the eye of my understanding'; the hearing of the soul is, therefore, the vision of the understanding.

22. Still, we are not to think that what the soul perceives, though pure truth, can be the perfect and clear fruition of Heaven. For though it be free from accidents, as I said before, [146] it is dim and not clear, because it is contemplation, which in this life, as St. Dionysius saith, 'is a ray of darkness,' [147] and thus we may say that it is a ray and an image of fruition, because it is in the understanding, which is the seat of fruition. This substantial truth, called here a whisper, is the 'eyes desired' which the Beloved showed to the bride, who, unable to bear the vision, cried, 'Turn them away, O my Beloved.' [148]

23. There is a passage in the book of Job which greatly confirms what I have said of rapture and betrothal, and, because I consider it to be much to the purpose, I will give it here, though it may delay us a little, and explain those portions of it which belong to my subject. The explanation shall be short, and when I shall have made it, I shall go on to explain the other stanza. The passage is as follows: 'To me there was spoken a secret word,' said Eliphaz the Themanite, 'and, as it were, my ear by stealth received the veins of its whisper. In the horror of a vision by night, when deep sleep is wont to hold men, fear held me and trembling, and all my bones were made sore afraid: and when the spirit passed before me the hair of my flesh stood upright. There stood one whose countenance I knew not, an image before mine eyes, and I heard the voice, as it were, of a gentle wind.' [149]

24. This passage contains almost all I said about rapture in the thirteenth stanza, where the bride says: 'Turn them away, O my Beloved.' The 'word spoken in secret' to Eliphaz is that secret communication which by reason of its greatness the soul was not able to endure, and, therefore, cried out: 'Turn them away, O my Beloved.' Eliphaz says that his 'ear as it were by stealth received the veins of its whisper.' By that is meant the pure substance which the understanding receives, for the 'veins' here denote the interior substance. The whisper is that communication and touch of the virtues whereby the said substance is communicated to the understanding. It is called a whisper because of its great gentleness. And the soul calls it the amorous gales because it is lovingly communicated. It is said to be received as it were by stealth, for as that which is stolen is alienated, so this secret is alien to man, speaking in the order of nature, because that which he received does not appertain to him naturally, and thus it was not lawful for him to receive it; neither was it lawful for St. Paul to repeat what he heard. For this reason the prophet saith twice, 'My secret to myself, my secret to myself.' [150]

25. When Eliphaz speaks of the horror of the vision by night, and of the fear and trembling that seized upon him, he refers to the awe and dread that comes upon the soul naturally in rapture, because in its natural strength it is unable, as I said before, [151] to endure the communication of the Spirit of God. The prophet gives us to understand that, as when sleep is about to fall upon men, a certain vision which they call a nightmare is wont to oppress and terrify them in the interval between sleeping and waking, which is the moment of the approach of sleep, so in the spiritual passage between the sleep of natural ignorance and the waking of the supernatural understanding, which is the beginning of an ecstasy or rapture, the spiritual vision then revealed makes the soul fear and tremble.

26. 'All my bones were affrighted'; that is, were shaken and disturbed. By this he meant a certain dislocation of the bones which takes place when the soul falls into an ecstasy. This is clearly expressed by Daniel when he saw the angel, saying, 'O my lord, at the sight of thee my joints are loosed.' [152] 'When the spirit passed before me'--that is, 'When my spirit was made to transcend the ways and limitations of nature in ecstasies and raptures'--'the hair of my flesh stood upright'; that is, Ômy body was chilled, and the flesh contracted, like that of a dead man.'

27. 'There stood One'--that is God, Who reveals Himself after this manner--'Whose countenance knew not': in these communications or visions, however high they may be, the soul neither knows nor beholds the face and being of God. 'An image before my eyes'; that is, the knowledge of the secret words was most deep, as it were the image and face of God; but still this is not the essential vision of God. 'I heard the voice, as it were, of a gentle wind'; this is the whisper of the amorous gales--that is, of the Beloved of the soul.

28. But it is not to be supposed that these visits of God are always attended by such terrors and distress of nature: that happens to them only who are entering the state of illumination and perfection, and in this kind of communication; for in others they come with great sweetness.

STANZA XV

'THE tranquil night.' In this spiritual sleep in the bosom of the Beloved the soul is in possession and fruition of all the calm, repose, and quiet of a peaceful night, and receives at the same time in God a certain dim, unfathomable divine intelligence. This is the reason why it says that the Beloved is to it the tranquil night.

2. 'At the approaches of the dawn.' This tranquil night is not like a night of darkness, but rather like the night when the sunrise is drawing nigh. This tranquillity and repose in God is not all darkness to the soul, as the dark night is, but rather tranquillity and repose in the divine light and in a new knowledge of God, whereby the mind, most sweetly tranquil, is raised to a divine light.

3. This divine light is here very appropriately called the approaches of the dawn, that is, the twilight; for as the twilight of the morn disperses the darkness of the night and reveals the light of day, so the mind, tranquil and reposing in God, is raised up from the darkness of natural knowledge to the morning light of the supernatural knowledge of God; not clear, indeed, as I have said, but dim, like the night at the approaches of the dawn. For as it is then neither wholly night nor wholly day, but, as they say, twilight, so this solitude and divine repose is neither perfectly illumined by the divine light nor yet perfectly alien from it.

4. In this tranquillity the understanding is lifted up in a strange way above its natural comprehension to the divine light: it is like a man who, after a profound sleep, opens his eyes to unexpected light. This knowledge is referred to by David when he says, 'I have watched, and am become as the lonely sparrow on the housetop'; [153] that is, 'I opened the eyes of my understanding and was raised up above all natural comprehension, lonely, without them, on the housetop, lifted up above all earthly considerations.' He says that he was 'become as the lonely sparrow,' because in this kind of contemplation, the spirit has the properties of the sparrow. These are five in number:i. It frequents in general high places; and the spirit, in this state, rises to the highest contemplation.ii. It is ever turning its face in the direction of the wind, and the spirit turns its affections thither whence comes the spirit of love, which is God.iii. It is in general solitary, abstaining from the companionship of others, and flying away when any approach it: so the spirit, in contemplation, is far away from all worldly thoughts, lonely in its avoidance of them; neither does it consent to anything except to this solitude in God.iv. It sings most sweetly, and so also does the spirit at this time sing unto God; for the praises which it offers up proceed from the sweetest love, most pleasing to itself, and most precious in the sight of God.v. It is of no definite colour; so also is the perfect spirit, which in this ecstasy is not only without any tinge of sensual affection or self-love, but also without any particular consideration of the things of heaven or earth; neither can it give any account whatever of them, because it has entered into the abyss of the knowledge of God.

'The silent music.'

5. In this silence and tranquillity of the night, and in this knowledge of the divine light, the soul discerns a marvellous arrangement and disposition of God's wisdom in the diversities of His creatures and operations. All these, and each one of them, have a certain correspondence with God, whereby each, by a voice peculiar to itself, proclaims what there is in itself of God, so as to form a concert of sublimest melody, transcending all the harmonies of the world. This is the silent music, because it is knowledge tranquil and calm, without audible voice; and thus the sweetness of music and the repose of silence are enjoyed in it. The soul says that the Beloved is silent music, because this harmony of spiritual music is in Him understood and felt. He is not this only, He is also--

'The murmuring solitude.'

6. This is almost the same as the silent music. For though the music is inaudible to the senses and the natural powers, it is a solitude most full of sound to the spiritual powers. These powers being in solitude, emptied of all forms and natural apprehensions, may well receive in spirit, like a resounding voice, the spiritual impression of the majesty of God in Himself and in His creatures; as it happened to St. John, who heard in spirit as it were 'the voice of harpers harping on their harps.' [154] St. John heard this in spirit: it was not material harps that he heard, but a certain knowledge that he had of the praises of the blessed, which every one of them, each in his own degree of glory, is continually singing before God. It is as it were music. For as every one of the saints had the gifts of God in a different way, so every one of them sings His praises in a different way, and yet all harmonise in one concert of love, as in music.

7. In the same way, in this tranquil contemplation, the soul beholds all creatures, not only the highest, but the lowest also, each one according to the gift of God to it, sending forth the voice of its witness to what God is. It beholds each one magnifying Him in its own way, and possessing Him according to its particular capacity; and thus all these voices together unite in one strain in praise of God's greatness, wisdom, and marvellous knowledge. This is the meaning of those words of the Holy Ghost in the Book of Wisdom: 'The Spirit of our Lord hath replenished the whole world, and that which containeth all things hath the knowledge of the voice.' [155] 'The voice' is the murmuring solitude, which the soul is said to know, namely, the witness which all things bear to God. Inasmuch as the soul hears this music only in solitude and in estrangement from all outward things, it calls it silent music and murmuring solitude. These are the Beloved.

'The supper which revives, and enkindles love.'

8. Lovers find recreation, satisfaction, and love in feasts. And because the Beloved in this sweet communication produces these three effects in the soul, He is here said to be the supper that revives, and enkindles love. In Holy Scripture supper signifies the divine vision, for as supper is the conclusion of the day's labours, and the beginning of the night's repose, so the soul in this tranquil knowledge is made to feel that its trials are over, the possession of good begun, and its love of God increased. Hence, then, the Beloved is to the soul the supper that revives, in being the end of its trials, and that enkindles love, in being the beginning of the fruition of all good.

9. That we may see more clearly how the Bridegroom is the supper of the soul, we must refer to those words of the Beloved in the Apocalypse: 'Behold, I stand at the door and knock. If any man shall hear My voice, and open to Me the gate, I will enter in to him, and will sup with him, and he with Me.' [156] It is evident from these words that He brings the supper with Him, which is nothing else but His own sweetness and delights, wherein He rejoiceth Himself, and which He, uniting Himself to the soul, communicates to it, making it a partaker of His joy: for this is the meaning of 'I will sup with him, and he with Me.' These words describe the effect of the divine union of the soul with God, wherein it shares the very goods of God Himself, Who communicates them graciously and abundantly to it. Thus the Beloved is Himself the supper which revives, and enkindles love, refreshing the soul with His abundance, and enkindling its love in His graciousness.

10. But before I proceed to explain the stanzas which follow, I must observe that, in the state of betrothal, wherein the soul enjoys this tranquillity, and wherein it receives all that it can receive in this life, we are not to suppose its tranquillity to be perfect, but that the higher part of it is tranquil; for the sensual part, except in the state of spiritual marriage, never loses all its imperfect habits, and its powers are never wholly subdued, as I shall show hereafter. [157] What the soul receives now is all that it can receive in the state of betrothal, for in that of the marriage the blessings are greater. Though the bride- soul has great joy in these visits of the Beloved in the state of betrothal, still it has to suffer from His absence, to endure trouble and afflictions in the lower part, and at the hands of the devil. But all this ceases in the state of spiritual marriage.

NOTE

THE bride now in possession of the virtues in their perfection, whereby she is ordinarily rejoicing in peace when the Beloved visits her, is now and then in the fruition of the fragrance and sweetness of those virtues in the highest degree, because the Beloved touches them within her, just as the sweetness and beauty of the lilies and other flowers when in their bloom are perceived when we handle them. For in many of these visits the soul discerns within itself all its virtues which God has given it; He shedding light upon them. The soul now, with marvellous joy and sweetness of love, binds them together and presents them to the Beloved as a nosegay of beautiful flowers, and the Beloved in accepting them-- for He truly accepts them then--accepts thereby a great service. All this takes place within the soul, feeling that the Beloved is within it as on His own couch, for the soul presents itself with the virtues which is the greatest service it can render Him, and thus this is one of the greatest joys which in its interior converse with God the soul is wont to receive in presents of this kind made to the Beloved.

2. The devil, beholding this prosperity of the soul, and in his great malice envying all the good he sees in it, now uses all his power, and has recourse to all his devices, in order to thwart it, if possible, even in the slightest degree. He thinks it of more consequence to keep back the soul, even for an instant, from this abundance, bliss, and delight, than to make others fall into many and mortal sins. Other souls have little or nothing to lose, while this soul has much, having gained many and great treasures; for the loss of one grain of refined gold is greater than the loss of many of the baser metals.

3. The devil here has recourse to the sensual appetites, though now they can give him generally but little or no help because they are mortified, and because he cannot turn them to any great account in distracting the imagination. Sometimes he stirs up many movements in the sensitive part of the soul, and causes other vexations, spiritual as well as sensual, from which the soul is unable to deliver itself until our Lord shall send His angel, as it is written, 'The angel of the Lord shall put in himself about them that fear Him, and shall deliver them;' [158] and so establish peace, both in the spiritual and sensitive parts of the soul. With a view to show forth this truth, and to ask this favour, the soul, apprehensive by experience of the craft which the devil makes use of to thwart this good, addressing itself to the angels, whose function it is to succour it at this time by putting the evil spirits to flight, speaks as in the following stanza:

STANZA XVI

Catch us the foxes, For our vineyard hath flourished; While of roses We make a nosegay, And let no one appear on the hill.

THE soul, anxious that this interior delight of love, which is the flowers of the vineyard, should not be interrupted, either by envious and malicious devils, or the raging desires of sensuality, or the various comings and goings of the imagination, or any other consciousness or presence of created things, calls upon the angels to seize and hinder all these from interrupting its practice of interior love, in the joy and sweetness of which the soul and the Son of God communicate and delight in the virtues and graces.

'Catch us the foxes, for our vineyard hath flourished.'

2. The vineyard is the plantation in this holy soul of all the virtues which minister to it the wine of sweet taste. The vineyard of the soul is then flourishing when it is united in will to the Bridegroom, and delights itself in Him in all the virtues. Sometimes, as I have just said, the memory and the fancy are assailed by various forms and imaginings, and divers motions and desires trouble the sensual part. The great variety and diversity of these made David say, when he felt the inconvenience and the trouble of them as he was drinking of the sweet wine of the spirit, thirsting greatly after God: 'For Thee my soul hath thirsted, for Thee my flesh, O how many ways.' [159]

3. Here the soul calls the whole troop of desires and stirrings of sense, foxes, because of the great resemblance between them at this time. As foxes pretend to be asleep that they may pounce upon their prey when it comes in their way, so all the desires and powers of sense in the soul are asleep until the flowers of virtue grow, flourish, and bloom. Then the desires and powers of sense awake to resist the Spirit and domineer. 'The flesh lusteth against the spirit,' [160] and as the inclination of it is towards the sensual desires, it is disgusted as soon as it tastes of the Spirit, and herein the desires prove extremely troublesome to spiritual sweetness.

'Catch us the foxes.'

4. The evil spirits now molest the soul in two ways. They vehemently excite the desires, and employ them with other imaginations to assail the peaceful and flourishing kingdom of the soul. Then--and this is much worse--when they do not succeed in stirring up the desires, they assail the soul with bodily pains and noises in order to distract it. And, what is still more serious, they fight with spiritual horror and dread, and sometimes with fearful torments, which, at this time, if God permits them, they can most effectually bring about, for inasmuch as the soul is now spiritually detached, so as to perform its spiritual exercises, the devil being himself a spirit presents himself before it with great ease.

5. At other times the evil spirit assails the soul with other horrors, before it begins to have the fruition of the sweet flowers, when God is beginning to draw it forth out of the house of sense that it may enter on the interior exercises in the garden of the Bridegroom, for he knows well that once entered into this state of recollection it is there so protected that, notwithstanding all he can do, he cannot hurt it. Very often, too, when the devil goes forth to meet the soul, the soul becomes quickly recollected in the secret depths of its interior, where it finds great sweetness and protection; then those terrors of Satan are so far off that they not only produce no fear, but are even the occasion of peace and joy. The bride, in the Canticle, speaks of these terrors, saying, 'My soul troubled me for the chariots of Aminadab.' [161] Aminadab is the evil spirit, and his chariots are his assaults upon the soul, which he makes with great violence, noise, and confusion.

6. The bride also says what the soul says here, namely: 'Catch us the little foxes that destroy the vineyards; for our vineyard hath flourished.' [162] She does not say, 'Catch me' but 'Catch us,' because she is speaking of herself and the Beloved; for they are one, and enjoy the flourishing of the vineyard together.

7. The reason why the vineyard is said to be flourishing and not bearing fruit is this: the soul in this life has the fruition of virtues, however perfect they may be, only in their flower, because the fruit of them is reserved for the life to come.

'While of roses we make a nosegay.'

8. Now, at this time, while the soul is rejoicing in the flourishing of the vineyard, and delighting itself in the bosom of the Beloved, all its virtues are perfect, exhibiting themselves to the soul, and sending forth great sweetness and delight. The soul feels them to be in itself and in God so as to seem to be one vineyard most flourishing and pleasing belonging to both, wherein they feed and delight. Then the soul binds all its virtues together, makes acts of love in each of them separately, and in all together, and then offers them all to the Beloved, with great tenderness of love and sweetness, and in this the Beloved helps it, for without His help and favour it cannot make this union and oblation of virtue to the Beloved. Hence it says, 'We make a nosegay'--that is 'the Beloved and myself.'

9. This union of the virtues is called a nosegay; for as a nosegay is cone-like in form, and a cone is strong, containing and embracing many pieces firmly joined together, so this cone-like nosegay of the virtues which the soul makes for the Beloved is the uniform perfection of the soul which firmly and solidly contains and embraces many perfections, great virtues, and rich endowments; for all the perfections and virtues of the soul unite together to form but one. And while this perfection is being accomplished, and when accomplished, offered to the Beloved on the part of the soul, it becomes necessary to catch the foxes that they may not hinder this mutual interior communication. The soul prays not only that this nosegay may be carefully made, but also adds, 'And let no one appear on the hill.'

10. This divine interior exercise requires solitude and detachment from all things, whether in the lower part of the soul, which is that of sense, or in the higher, which is the rational. These two divisions comprise all the faculties and senses of man, and are here called the hill; because all our natural notions and desires being in them, as quarry on a hill, the devil lies in wait among these notions and desires, in order that he may injure the soul.

'And let no one appear on the hill.'

11. That is, let no representation or image of any object whatever, appertaining to any of these faculties or senses, appear in the presence of the soul and the Bridegroom: in other words, let the spiritual powers of the soul, memory, understanding, and will, be divested of all notions, particular inclinations, or considerations whatsoever; and let all the senses and faculties of the body, interior as well as exterior, the imagination, the fancy, the sight and hearing, and the rest, be divested of all occasions of distractions, of all forms, images, and representations, and of all other natural operations.

12. The soul speaks in this way because it is necessary for the perfect fruition of this communication of God, that all the senses and powers, both interior and exterior, should be disencumbered and emptied of their proper objects and operations; for the more active they are, the greater will be the hindrance which they will occasion. The soul having attained to a certain interior union of love, the spiritual faculties of it are no longer active, and still less those of the body; for now that the union of love is actually wrought in love, the faculties of the soul cease from their exertions, because now that the goal is reached all employment of means is at an end. What the soul at this time has to do is to wait lovingly upon God, and this waiting is love in a continuation of unitive love. Let no one, therefore, appear on the hill, but the will only waiting on the Beloved in the offering up of self and of all the virtues in the way described.

NOTE

FOR the clearer understanding of the following stanza, we must keep in mind that the absence of the Beloved, from which the soul suffers in the state of spiritual betrothal, is an exceedingly great affliction, and at times greater than all other trials whatever. The reason is this: the love of the soul for God is now so vehement and deep that the pain of His absence is vehement and deep also. This pain is increased also by the annoyance which comes from intercourse with creatures, which is very great; for the soul, under the pressure of its quickened desire of union with God, finds all other conversation most painful and difficult to endure. It is like a stone in its flight to the place whither it is rapidly tending; every obstacle it meets with occasions a violent shock. And as the soul has tasted of the sweetness of the Beloved's visits, which are more desirable than gold and all that is beautiful, it therefore dreads even a momentary absence, and addresses itself as follows to aridities, and to the Spirit of the Bridegroom:--

STANZA XVII

O killing north wind, cease! Come, south wind, that awakenest love! Blow through my garden, And let its odours flow, And the Beloved shall feed among the flowers.

BESIDE the causes mentioned in the foregoing stanza, spiritual dryness also hinders the fruition of this interior sweetness of which I have been speaking, and afraid of it the soul had recourse to two expedients, to which it refers in the present stanza. The first is to shut the door against it by unceasing prayer and devotion. The second, to invoke the Holy Ghost; it is He Who drives away dryness from the soul, maintains and increases its love of the Bridegroom--that He may establish in it the practice of virtue, and all this to the end that the Son of God, its Bridegroom, may rejoice and delight in it more and more, for its only aim is to please the Beloved.

'Killing north wind, cease.'

2. The north wind is exceedingly cold; it dries up and parches flowers and plants, and at the least, when it blows, causes them to draw in and shrink. So, dryness of spirit and the sensible absence of the Beloved, because they produce the same effect on the soul, exhausting the sweetness and fragrance of virtue, are here called the killing north wind; for all the virtues and affective devotions of the soul are then dead. Hence the soul addresses itself to it, saying, 'Killing north wind, cease.' These words mean that the soul applies itself to spiritual exercise, in order to escape aridity. But the communications of God are now so interior that by no exertion of its faculties can the soul attain to them if the Spirit of the Bridegroom do not cause these movements of love. The soul, therefore, addresses Him, saying:

'Come, south wind, that awakenest love.'

3. The south wind is another wind commonly called the south-west wind. It is soft, and brings rain; it makes the grass and plants grow, flowers to blossom and scatter their perfume abroad; in short, it is the very opposite in its effects of the north wind. By it is meant here the Holy Ghost, Who awakeneth love; for when this divine Breath breathes on the soul, it so inflames and refreshes it, so quickens the will, and stirs up the desires, which were before low and asleep as to the love of God, that we may well say of it that it quickens the love between Him and the soul. The prayer of the soul to the Holy Ghost is thus expressed, 'Blow through my garden.'

4. This garden is the soul itself. For as the soul said of itself before, that it was a flourishing vineyard, because the flowers of virtue which are in it give forth the wine of sweetness, so here it says of itself that it is a garden, because the flowers of perfection and the virtues are planted in it, flourish, and grow.

5. Observe, too, that the expression is 'blow through my garden,' not blow in it. There is a great difference between God's breathing into the soul and through it. To breathe into the soul is to infuse into it graces, gifts, and virtues; to breathe through it is, on the part of God, to touch and move its virtues and perfections now possessed, renewing them and stirring them in such a way that they send forth their marvellous fragrance and sweetness. Thus aromatic spices, when shaken or touched, give forth the abundant odours which are not otherwise so distinctly perceived. The soul is not always in the conscious fruition of its acquired and infused virtues, because, in this life, they are like flowers in seed, or in bud, or like aromatic spices covered over, the perfume of which is not perceived till they are exposed and shaken.

6. But God sometimes is so merciful to the bride-soul, as--the Holy Ghost breathing meanwhile through the flourishing garden--to open these buds of virtue and expose the aromatic herbs of the soul's gifts, perfections, and riches, to manifest to it its interior treasures and to reveal to it all its beauty. It is then marvellous to behold, and sweet to feel, the abundance of the gifts now revealed in the soul, and the beauty of the flowers of virtue now flourishing in it. No language can describe the fragrance which every one of them diffuses, each according to its kind. This state of the soul is referred to in the words, 'Let its odours flow.'

7. So abundant are these odours at times, that the soul seems enveloped in delight and bathed in inestimable bliss. Not only is it conscious itself of them, but they even overflow it, so that those who know how to discern these things can perceive them. The soul in this state seems to them as a delectable garden, full of the joys and riches of God. This is observable in holy souls, not only when the flowers open, but almost always; for they have a certain air of grandeur and dignity which inspires the beholders with awe and reverence, because of the supernatural effects of their close and familiar converse with God. We have an illustration of this in the life of Moses, the sight of whose face the people could not bear, by reason of the glory that rested upon it--the effect of his speaking to God face to face. [163]

8. While the Holy Ghost is breathing through the garden--this is His visitation of the soul--the Bridegroom Son of God communicates Himself to it in a profound way, enamoured of it. It is for this that He sends the Holy Spirit before Him--as He sent the Apostles [164]--to make ready the chamber of the soul His bride, comforting it with delight, setting its garden in order, opening its flowers, revealing its gifts, and adorning it with the tapestry of graces. The bride-soul longs for this with all its might, and therefore bids the north wind not to blow, and invokes the south wind to blow through the garden, because she gains much here at once.

9. The bride now gains the fruition of all her virtues in their sweetest exercise. She gains the fruition of her Beloved in them, because it is through them that He converses with her in most intimate love, and grants her favours greater than any of the past. She gains, too, that her Beloved delights more in her because of the actual exercise of virtue, which is what pleases her most, namely, that her Beloved should be pleased with her. She gains also the permanent continuance of the sweet fragrance which remains in the soul while the Bridegroom is present, and the bride entertains Him with the sweetness of her virtues, as it is written: 'While the King was at His repose,' that is, in the soul, 'my spikenard sent forth its odour.' [165] The spikenard is the soul, which from the flowers of its virtues sends forth sweet odours to the Beloved, Who dwells within it in the union of love.

10. It is therefore very much to be desired that every soul should pray the Holy Ghost to blow through its garden, that the divine odours of God may flow. And as this is so necessary, so blissful and profitable to the soul, the bride desires it, and prays for it, in the words of the Canticle, saying, 'Arise, north wind, and come, south wind; blow through my garden, and let the aromatical spices thereof flow.' [166] The soul prays for this, not because of the delight and bliss consequent upon it, but because of the delight it ministers to the Beloved, and because it prepares the way and announces the presence of the Son of God, Who cometh to rejoice in it. Hence the soul adds:

'And my Beloved shall feed among the flowers.'

11. The delight which the Son of God finds now in the soul is described as pasture. This word expresses most forcibly the truth, because pasture not only gladdeneth, but also sustaineth. Thus the Son of God delights in the soul, in the delights thereof, and is sustained in them--that is, He abides within it as in a place which pleases Him exceedingly, because the place itself really delights in Him. This, I believe, is the meaning of those words recorded in the proverbs of Solomon: 'My delights were to be with the children of men;' [167] that is, when they delight to be with Me, Who am the Son of God.

12. Observe, here, that it is not said that the Beloved shall feed on the flowers, but that He shall feed among the flowers. For, as the communications of the Beloved are in the soul itself, through the adornment of the virtues, it follows that what He feeds on is the soul which He transformed into Himself, now that it is prepared and adorned with these flowers of virtues, graces, and perfections, which are the things whereby, and among which, He feeds. These, by the power of the Holy Ghost, are sending forth in the soul the odours of sweetness to the Son of God, that He may feed there the more in the love thereof; for this is the love of the Bridegroom, to be united to the soul amid the fragrance of the flowers.

13. The bride in the Canticle has observed this, for she had experience of it, saying: 'My Beloved is gone down into His garden, to the bed of aromatical spices,to feed in the gardens, and to gather lilies. I to my Beloved, and my Beloved to me, Who feedeth among the lilies' [168] That is, 'Who feedeth and delighteth in my soul, which is His garden, among the lilies of my virtues, perfections, and graces.'

NOTE

IN the state of spiritual espousals the soul contemplating its great riches and excellence, but unable to enter into the possession and fruition of them as it desires, because it is still in the flesh, often suffers exceedingly, and then more particularly when its knowledge of them becomes more profound. It then sees itself in the body, like a prince in prison, subject to all misery, whose authority is disregarded, whose territories and wealth are confiscated, and who of his former substance receives but a miserable dole. How greatly he suffers any one may see, especially when his household is no longer obedient, and his slaves and servants, forgetting all respect, plunder him of the scanty provisions of his table. Thus is it with the soul in the body, for when God mercifully admits it to a foretaste of the good things which He has prepared for it, the wicked servants of desire in the sensual part, now a slave of disorderly motions, now other rebellious movements, rise up against it in order to rob it of its good.

2. The soul feels itself as if it were in the land of enemies, tyrannised over by the stranger, like the dead among the dead. Its feelings are those which the prophet Baruch gave vent to when he described the misery of Jacob's captivity: 'How happeneth it, O Israel, that thou art in thy enemies' land? thou art grown old in a strange country, thou art defiled with the dead: thou art counted with them that go down into hell.' [169] This misery of the soul, in the captivity of the body, is thus spoken of by Jeremias, saying: 'Is Israel a bondman or a home-born slave? Why then is he become a prey? The lions have roared upon him, and have made a noise.' [170] The lions are the desires and the rebellious motions of the tyrant king of sensuality. In order to express the trouble which this tyrant occasions, and the desire of the soul to see this kingdom of sensuality with all its hosts destroyed, or wholly subject to the spirit, the soul lifting up its eyes to the Bridegroom, as to one who can effect it, speaks against those rebellious motions in the words of the next stanza.

STANZA XVIII

O nymphs of Judea! While amid the flowers and the rose-trees The amber sends forth its perfume, Tarry in the suburbs, And touch not our thresholds.

IT is the bride that speaks; for seeing herself, as to the higher part of the soul, adorned with the rich endowments of her Beloved, and seeing Him delighting in her, she desires to preserve herself in security, and in the continued fruition of them. Seeing also that hindrances will arise, as in fact they do, from the sensual part of the soul, which will disturb so great a good, she bids the operations and motions of the soul's lower nature to cease, in the senses and faculties of it, and sensuality not to overstep its boundaries to trouble and disquiet the higher and spiritual portion of the soul: not to hinder even for a moment the sweetness she enjoys. The motions of the lower part, and their powers, if they show themselves during the enjoyment of the spirit, are so much more troublesome and disturbing, the more active they are.

'O nymphs of Judea.'

2. The lower, that is the sensual part of the soul, is called Judea. It is called Judea because it is weak, and carnal, and blind, like the Jewish people. All the imaginations, fancies, motions, and inclinations of the lower part of the soul are called nymphs, for as nymphs with their beauty and attractions entice men to love them, so the operations and motions of sensuality softly and earnestly strive to entice the will from the rational part, in order to withdraw it from that which is interior, and to fix it on that which is exterior, to which they are prone themselves. They also strive to influence the understanding to join with them in their low views, and to bring down reason to the level of sense by the attractions of the latter. The soul, therefore, says in effect: 'O sensual operations and motions.'

'While amid the flowers and the rose-trees.'

3. The flowers, as I have said, are the virtues of the soul, and the rose-trees are its powers, memory, understanding, and will, which produce and nurture the flowers of divine conceptions, acts of love and the virtues, while the amber sends forth its perfume in the virtues and powers of the soul.

'The amber sends forth its perfume.'

4. The amber is the divine spirit of the Bridegroom Who dwells in the soul. To send forth the perfume among the flowers and the rose-trees, is to diffuse and communicate Himself most sweetly in the powers and virtues of the soul, thereby filling it with the perfume of divine sweetness. Meanwhile, then, when the Divine Spirit is filling my soul with spiritual sweetness,

'Tarry in the suburbs.'

5. In the suburbs of Judea, which is the inferior or sensual part of the soul. The suburbs are the interior senses, namely, memory, fancy, and imagination, where forms and images of things collect, by the help of which sensuality stirs up concupiscence and desires. These forms are the nymphs, and while they are quiet and tranquil the desires are also asleep. They enter into the suburbs of the interior senses by the gates of the outward senses, of sight, hearing, smell, etc. We can thus give the name of suburbs to all the powers and interior or exterior senses of the sensual part of the soul, because they are outside the walls of the city.

6. That part of the soul which may be called the city is that which is most interior, the rational part, which is capable of converse with God, the operations of which are contrary to those of sensuality. But there is a natural intercourse between those who dwell in the suburbs of the sensual part--that is, the nymphs-- and those who dwell in the higher part, which is the city itself; and, therefore, what takes place in the lower part is ordinarily felt in the higher, and consequently compels attention to itself and disturbs the spiritual operation which is conversant with God. Hence the soul bids the nymphs tarry in the suburbs--that is, to remain at rest in the exterior and interior senses of the sensual part,

'And touch not our thresholds.'

7. Let not even your first movements touch the higher part, for the first movements of the soul are the entrance and thresholds of it. When the first movements have passed into the reason, they have crossed the threshold, but when they remain as first movements only they are then said merely to touch the threshold, or to cry at the gate, which is the case when reason and sense contend over an unreasonable act. The soul here not only bids these not to touch it, but also charges all considerations whatever which do not minister to its repose and the good it enjoys to keep far away.

NOTE

THE soul in this state is become so great an enemy of the lower part, and its operations, that it would have God communicate nothing to it when He communicates with the higher. If He will communicate with the lower, it must be in a slight degree, or the soul, because of its natural weakness, will be unable to endure it without fainting, and consequently the spirit cannot rejoice in peace, because it is then troubled. 'For,' as the wise man says, 'the body that is corrupted burdeneth the soul.' [171] And as the soul longs for the highest and noblest converse with God, which is impossible in the company of the sensual part, it begs of God to deal with it without the intervention of the senses. That sublime vision of St. Paul in the third heaven, wherein, he says, he saw God, but yet knew not whether he was in the body or out of the body, must have been, be it what it may, independent of the body: for if the body had any share in it, he must have known it, and the vision could not have been what it was, seeing that he 'heard secret words which it is not lawful for a man to speak.' [172] The soul, therefore, knowing well that graces so great cannot be received in a vessel so mean, and longing to receive them out of the body,--or at least without it, addresses the Bridegroom in the words that follow:

STANZA XIX

Hide thyself, O my Beloved! Turn Thy face to the mountains, Do not speak, But regard the companions Of her who is travelling amidst strange islands.

HERE the bride presents four petitions to the Bridegroom. She prays that He would be pleased to converse with her most interiorly in the secret chamber of the soul. The second, that He would invest and inform her faculties with the glory and excellence of His Divinity. The third, that He would converse with her so profoundly as to surpass all knowledge and expression, and in such a way that the exterior and sensual part may not perceive it. The fourth, that He would love the many virtues and graces which He has implanted in her, adorned with which she is ascending upwards to God in the highest knowledge of the Divinity, and in transports of love most strange and singular, surpassing those of ordinary experience.

'Hide Thyself, O my Beloved!'

2. 'O my Bridegroom, most beloved, hide Thyself in the inmost depths of my soul, communicating Thyself to it in secret, and manifesting Thy hidden wonders which no mortal eyes may see.

'Turn Thy face to the mountains.'

3. The face of God is His divinity. The mountains are the powers of the soul, memory, understanding, and will. Thus the meaning of these words is: Enlighten my understanding with Thy Divinity, and give it the divine intelligence, fill my will with divine love, and my memory with divine possession of glory. The bride here prays for all that may be prayed for; for she is not content with that knowledge of God once granted to Moses [173]--the knowledge of Him by His works--for she prays to see the face of God, which is the essential communication of His Divinity to the soul, without any intervening medium, by a certain knowledge thereof in the Divinity. This is something beyond sense, and divested of accidents, inasmuch as it is the contact of pure substances--that is, of the soul and the Divinity.

'Do not speak.'

4. That is, do not speak as before, when Thy converse with me was known to the outward senses, for it was once such as to be comprehended by them; it was not so profound but they could fathom it. Now let Thy converse with me be so deep and so substantial, and so interior, as to be above the reach of the senses; for the substance of the spirit is incommunicable to sense, and the communication made through the senses, especially in this life, cannot be purely spiritual, because the senses are not capable of it. The soul, therefore, longing for that substantial and essential communication of God, of which sense cannot be cognizant, prays the Bridegroom not to speak: that is to say, let the deep secret of the spiritual union be such as to escape the notice of the senses, like the secret which St. Paul heard, and which it is not lawful for a man to speak. [174]

'But regard the companions.'

5. The regard of God is love and grace. The companions here are the many virtues of the soul, its gifts, perfections, and other spiritual graces with which God has endowed it; pledges, tokens, and presents of its betrothal. Thus the meaning of the words seems to be this: 'Turn Thou Thy face to the interior of my soul, O my Beloved; be enamoured of the treasures which Thou hast laid up there, so that, enamoured of them, Thou mayest hide Thyself among them and there dwell; for in truth, though they are Thine, they are mine also, because Thou hast given them.'

'Of her who travels amidst strange islands.'

6. That is, 'Of my soul tending towards Thee through strange knowledge of Thee, by strange ways'--strange to sense and to the ordinary perceptions of nature. It is as if the bride said, by way of constraining Him to yield: 'Seeing that my soul is tending towards Thee through knowledge which is spiritual, strange, unknown to sense, do Thou also communicate Thyself to it so interiorly and so profoundly that the senses may not observe it.'

NOTE

IN order to the attainment of a state of perfection so high as this of the spiritual marriage, the soul that aims at it must not only be purified and cleansed from all the imperfections, rebellions, and imperfect habits of the inferior part, which is now--the old man being put away--subject and obedient to the higher, but it must also have great courage and most exalted love for so strong and close an embrace of God. For in this state the soul not only attains to exceeding pureness and beauty, but also acquires a terrible strength by reason of that strict and close bond which in this union binds it to God. The soul, therefore, in order to reach this state must have purity, strength, and adequate love. The Holy Ghost, the author of this spiritual union, desirous that the soul should attain thus far in order to merit it, addresses Himself to the Father and the Son, saying: 'Our sister is little, and hath no breasts. What shall we do to our sister in the day when she is to be spoken to? If she be a wall, let us build upon it bulwarks of silver; if she be a door, let us join it together with boards of cedar.' [175]

2. The 'bulwarks of silver' are the strong heroic virtues comprised in the faith, which is signified by silver, and these heroic virtues are those of the spiritual marriage, which are built upon the soul, signified by the wall, relying on the strength of which, the peaceful Bridegroom reposes undisturbed by any infirmities. The 'boards of cedar' are the affections and accessories of this deep love which is signified by the cedar- tree, and this is the love of the spiritual marriage. In order 'to join it together,' that is, to adorn the bride, it is necessary she should be the door for the Bridegroom to enter through, keeping the door of the will open in a perfect and true consent of love, which is the consent of the betrothal given previous to the spiritual marriage. The breasts of the bride are also this perfect love which she must have in order to appear in the presence of Christ her Bridegroom for the perfection of such a state.

3. It is written in the Canticle that the bride in her longing for this presence immediately replied, saying: 'I am a wall: and my breasts are as a tower'--that is, 'My soul is strong, and my love most deep'--that He may not fail her on that ground. The bride, too, had expressed as much in the preceding stanzas, out of the fulness of her longing for the perfect union and transformation, and particularly in the last, wherein she set before the Bridegroom all the virtues, graces, and good dispositions with which she was adorned by Him, and that with the object of making Him the prisoner of her love.

4. Now the Bridegroom, to bring this matter to a close, replies in the two stanzas that follow, which describe Him as perfectly purifying the soul, strengthening and disposing it, both as to its sensual and spiritual part, for this state, and charging all resistance and rebellion, both of the flesh and of the devil, to cease, saying:

STANZAS XX, XXI

THE BRIDEGROOM

Light-winged birds, Lions, fawns, bounding does, Mountains, valleys, strands, Waters, winds, heat, And the terrors that keep watch by night;

By the soft lyres And the siren strains, I adjure you, Let your fury cease, And touch not the wall, That the bride may sleep in greater security.

HERE the Son of God, the Bridegroom, leads the bride into the enjoyment of peace and tranquillity in the conformity of her lower to her higher nature, purging away all her imperfections, subjecting the natural powers of the soul to reason, and mortifying all her desires, as it is expressed in these two stanzas, the meaning of which is as follows. In the first place the Bridegroom adjures and commands all vain distractions of the fancy and imagination from henceforth to cease, and controls the irascible and concupiscible faculties which were hitherto the sources of so much affliction. He brings, so far as it is possible in this life, the three powers of memory, understanding, and will to the perfection of their objects, and then adjures and commands the four passions of the soul, joy, hope, grief, and fear, to be still, and bids them from henceforth be moderate and calm.

2. All these passions and faculties are comprehended under the expressions employed in the first stanza, the operations of which, full of trouble, the Bridegroom subdues by that great sweetness, joy, and courage which the bride enjoys in the spiritual surrender of Himself to her which God makes at this time; under the influence of which, because God transforms the soul effectually in Himself, all the faculties, desires, and movements of the soul lose their natural imperfection and become divine.

'Light-winged birds.'

3. These are the distractions of the imagination, light and rapid in their flight from one subject to another. When the will is tranquilly enjoying the sweet converse of the Beloved, these distractions produce weariness, and in their swift flight quench its joy. The Bridegroom adjures them by the soft lyres. That is, now that the sweetness of the soul is so abundant and so continuous that they cannot interfere with it, as they did before when it had not reached this state, He adjures them, and bids them cease from their disquieting violence. The same explanation is to be given of the rest of the stanza.

'Lions, fawns, bounding does.'

4. By the lions is meant the raging violence of the irascible faculty, which in its acts is bold and daring as a lion. The 'fawns and bounding does' are the concupiscible faculty--that is, the power of desire, the qualities of which are two, timidity and rashness. Timidity betrays itself when things do not turn out according to our wishes, for then the mind retires within itself discouraged, and in this respect the soul resembles the fawns. For as fawns have the concupiscible faculty stronger than many other animals, so are they more retiring and more timid. Rashness betrays itself when we have our own way, for the mind is then neither retiring nor timid, but desires boldly, and gratifies all its inclinations. This quality of rashness is compared to the does, who so eagerly seek what they desire that they not only run, but even leap after it; hence they are described as bounding does.

5. Thus the Bridegroom, in adjuring the lions, restrains the violence and controls the fury of rage; in adjuring the fawns, He strengthens the concupiscible faculty against timidity and irresolution; and in adjuring the does He satisfies and subdues the desires which were restless before, leaping, like deer, from one object to another, to satisfy that concupiscence which is now satisfied by the soft lyres, the sweetness of which it enjoys, and by the siren strains, in the delight of which it revels.

6. But the Bridegroom does not adjure anger and concupiscence themselves, because these passions never cease from the soul--but their vexations and disorderly acts, signified by the 'lions, fawns, and bounding does,' for it is necessary that these disorderly acts should cease in this state.

'Mountains, valleys, strands.'

7. These are the vicious and disorderly actions of the three faculties of the soul--memory, understanding, and will. These actions are disorderly and vicious when they are in extremes, or, if not in extreme, tending to one extreme or other. Thus the mountains signify those actions which are vicious in excess, mountains being high; the valleys, being low, signify those which are vicious in the extreme of defect. Strands, which are neither high nor low, but, inasmuch as they are not perfectly level, tend to one extreme or other, signify those acts of the three powers of the soul which depart slightly in either direction from the true mean and equality of justice. These actions, though not disorderly in the extreme, as they would be if they amounted to mortal sin, are nevertheless disorderly in part, tending towards venial sin or imperfection, however slight that tendency may be, in the understanding, memory, and will. He adjures also all these actions which depart from the true mean, and bids them cease before the soft lyres and the siren strains, which so effectually charm the powers of the soul as to occupy them completely in their true and proper functions, so that they avoid not only all extremes, but also the slightest tendency to them.

'Waters, winds, heat, and the terrors that keep watch by night.'

8. These are the affections of the four passions, grief, hope, joy, and fear. The waters are the affections of grief which afflict the soul, for they rush into it like water. 'Save me, O God,' saith the Psalmist, 'for the waters are come in even unto my soul.' [176] The winds are the affections of hope, for they rush forth like wind, desiring what which is not present but hoped for, as the Psalmist saith: 'I opened my mouth and drew breath: because I longed for Thy commandments.' [177] That is, 'I opened the mouth of my hope, and drew in the wind of desire, because I hoped and longed for Thy commandments.' Heat is the affections of joy which, like fire, inflame the heart, as it is written: 'My heart waxed hot within me; and in my meditation a fire shall burn'; [178] that is, 'while I meditate I shall have joy.'

9. The 'terrors that keep watch by night' are the affections of fear, which in spiritual persons who have not attained to the state of spiritual marriage are usually exceedingly strong. They come sometimes from God when He is going to bestow certain great graces upon souls, as I said before; [179] He is wont then to fill the mind with dread, to make the flesh tremble and the senses numb, because nature is not made strong and perfect and prepared for these graces. They come also at times from the evil spirit, who, out of envy and malignity, when he sees a soul sweetly recollected in God, labours to disturb its tranquillity by exciting horror and dread, in order to destroy so great a blessing, and sometimes utters his threats, as it were in the interior of the soul. But when he finds that he cannot penetrate within the soul, because it is so recollected, and so united with God, he strives at least in the province of sense to produce exterior distractions and inconstancy, sensible pains and horrors, if perchance he may in this way disturb the soul in the bridal chamber.

10. These are called terrors of the night, because they are the work of evil spirits, and because Satan labours, by the help thereof, to involve the soul in darkness, and to obscure the divine light wherein it rejoiceth. These terrors are called watchers, because they awaken the soul and rouse it from its sweet interior slumber, and also because Satan, their author, is ever on the watch to produce them. These terrors strike the soul of persons who are already spiritual, passively, and come either from God or the evil spirit. I do not refer to temporal or natural terrors, because spiritual men are not subject to these, as they are to those of which I am speaking.

11. The Beloved adjures the affections of these four passions, compels them to cease and to be at rest, because He supplies the bride now with force, and courage, and satisfaction, by the soft lyres of His sweetness and the siren strains of His delight, so that not only they shall not domineer over the soul, but shall not occasion it any distaste whatever. Such is the grandeur and stability of the soul in this state, that, although formerly the waters of grief overwhelmed it, because of its own or other men's sins--which is what spiritual persons most feel--the consideration of them now excites neither pain nor annoyance; even the sensible feeling of compassion exists not now, though the effects of it continue in perfection. The weaknesses of its virtues are no longer in the soul, for they are now constant, strong, and perfect. As the angels perfectly appreciate all sorrowful things without the sense of pain, and perform acts of mercy without the sentiment of pity, so the soul in this transformation of love. God, however, dispenses sometimes, on certain occasions, with the soul in this matter, allowing it to feel and suffer, that it may become more fervent in love, and grow in merit, or for some other reasons, as He dispensed with His Virgin Mother, St. Paul, and others. This, however, is not the ordinary condition of this state.

12. Neither do the desires of hope afflict the soul now, because, satisfied in its union with God, so far as it is possible in this life, it has nothing of this world to hope for, and nothing spiritual to desire, seeing that it feels itself to be full of the riches of God, though it may grow in charity, and thus, whether living or dying, it is conformed to the will of God, saying with the sense and spirit, 'Thy will be done,' free from the violence of inclination and desires; and accordingly even its longing for the beatific vision is without pain.

13. The affections of joy, also, which were wont to move the soul with more or less vehemence, are not sensibly diminished; neither does their abundance occasion any surprise. The joy of the soul is now so abundant that it is like the sea, which is not diminished by the rivers that flow out of it, nor increased by those that empty themselves into it; for the soul is now that fountain of which our Lord said that it is 'springing up into life everlasting.' [180]

14. I have said that the soul receives nothing new or unusual in this state of transformation; it seems to lose all accidental joy, which is not withheld even from the glorified. That is, accidental joys and sweetness are indeed no strangers to this soul; yea, rather, those which it ordinarily has cannot be numbered; yet, for all this, as to the substantial communication of the spirit, there is no increase of joy, for that which may occur anew the soul possesses already, and thus what the soul has already within itself is greater than anything that comes anew. Hence, then, whenever any subject of joy and gladness, whether exterior or spiritually interior, presents itself to the soul, the soul betakes itself forthwith to rejoicing in the riches it possesses already within itself, and the joy it has in them is far greater than any which these new accessions minister, because, in a certain sense, God is become its possession, Who, though He delights in all things, yet in nothing so much as in Himself, seeing that He has all good eminently in Himself. Thus all accessions of joy serve to remind the soul that its real joy is in its interior possessions, rather than in these accidental causes, because, as I have said, the former are greater than the latter.

15. It is very natural for the soul, even when a particular matter gives it pleasure, that, possessing another of greater worth and gladness, it should remember it at once and take its pleasure in it. The accidental character of these spiritual accessions, and the new impressions they make on the soul, may be said to be as nothing in comparison with that substantial source which it has within itself: for the soul which has attained to the perfect transformation, and is full-grown, grows no more in this state by means of these spiritual accessions, as those souls do who have not yet advanced so far. It is a marvellous thing that the soul, while it receives no accessions of delight, should still seem to do so and also to have been in possession of them. The reason is that it is always tasting them anew, because they are ever renewed; and thus it seems to be continually the recipient of new accessions, while it has no need of them whatever.

16. But if we speak of that light of glory which in this, the soul's embrace, God sometimes produces within it, and which is a certain spiritual communion wherein He causes it to behold and enjoy at the same time the abyss of delight and riches which He has laid up within it, there is no language to express any degree of it. As the sun when it shines upon the sea illumines its great depths, and reveals the pearls, and gold, and precious stones therein, so the divine sun of the Bridegroom, turning towards the bride, reveals in a way the riches of her soul, so that even the angels behold her with amazement and say: 'Who is she that cometh forth as the morning rising, fair as the moon, bright as the sun, terrible as the army of a camp set in array.' [181] This illumination adds nothing to the grandeur of the soul, notwithstanding its greatness, because it merely reveals that which the soul already possessed in order that it might rejoice in it.

17. Finally, the terrors that keep watch by night do not come nigh unto her, because of her pureness, courage, and confident trust in God; the evil spirits cannot shroud her in darkness, nor alarm her with terrors, nor disturb her with their violent assaults. Thus nothing can approach her, nothing can molest her, for she has escaped from all created things and entered in to God, to the fruition of perfect peace, sweetness, and delight, so far as that is possible in this life. It is to this state that the words of Solomon are applicable: 'A secure mind is as it were a continual feast.' [182] As in a feast we have the savour of all meat, and the sweetness of all music, so in this feast, which the bride keeps in the bosom of her Beloved, the soul rejoices in all delight, and has the taste of all sweetness. All that I have said, and all that may be said, on this subject, will always fall short of that which passeth in the soul which has attained to this blessed state. For when it shall have attained to the peace of God, 'which,' in the words of the Apostle, 'surpasseth all understanding,' [183] no description of its state is possible.

'By the soft lyres and the siren strains I adjure you.'

18. The soft lyres are the sweetness which the Bridegroom communicates to the soul in this state, and by which He makes all its troubles to cease. As the music of lyres fills the soul with sweetness and delight, carries it rapturously out of itself, so that it forgets all its weariness and grief, so in like manner this sweetness so absorbs the soul that nothing painful can reach it. The Bridegroom says, in substance: 'By that sweetness which I give thee, let all thy bitterness cease.' The siren strains are the ordinary joys of the soul. These are called siren strains because, as it is said, the music of the sirens is so sweet and delicious that he who hears it is so rapt and so carried out of himself that he forgets everything. In the same way the soul is so absorbed in, and refreshed by, the delight of this union that it becomes, as it were, charmed against all the vexations and troubles that may assail it; it is to these the next words of the stanza refer:

'Let your fury cease.'

19. This is the troubles and anxieties which flow from unruly acts and affections. As anger is a certain violence which disturbs peace, overlapping its bounds, so also all these affections in their motions transgress the bounds of the peace and tranquillity of the soul, disturbing it whenever they touch it. Hence the Bridegroom says:

'And touch not the wall.'

20. The wall is the territory of peace and the fortress of virtue and perfections, which are the defences and protection of the soul. The soul is the garden wherein the Beloved feeds among the flowers, defended and guarded for Him alone. Hence it is called in the Canticle 'a garden enclosed.' [184] The Bridegroom bids all disorderly emotions not to touch the territory and wall of His garden.

21. 'That the bride may sleep in greater security.' That is, that she is delighting herself with more sweetness in the tranquillity and sweetness she has in the Beloved. That is to say, that now no door is shut against the soul, and that it is in its power to abandon itself whenever it wills to this sweet sleep of love, according to the words of the Bridegroom in the Canticle, 'I adjure you, O daughters of Jerusalem, by the roes and the harts of the fields, that you raise not up nor make the beloved to awake till herself will.' [185]

NOTE

THE Bridegroom was so anxious to rescue His bride from the power of the flesh and the devil and to set her free, that, having done so, He rejoices over her like the good shepherd who, having found the sheep that was lost, laid it upon his shoulders rejoicing; like the woman who, having found the money she had lost, after lighting a candle and sweeping the house, called 'together her friends and neighbours, saying, Rejoice with me.' [186] So this loving Shepherd and Bridegroom of souls shows a marvellous joy and delight when He beholds a soul gained to perfection lying on His shoulders, and by His hands held fast in the longed-for embrace and union. He is not alone in His joy, for He makes the angels and the souls of the blessed partakers of His glory, saying, as in the Canticle, 'Go forth, ye daughters of Sion, and see king Solomon in the diadem wherewith his mother crowned him in the day of his betrothal, and in the day of the joy of his heart.' [187] He calls the soul His crown, His bride, and the joy of His heart: He carries it in His arms, and as a bridegroom leads it into His bridal chamber, as we shall see in the following stanza:

 

A SPIRITUAL CANTICLE OF THE SOUL AND 
THE BRIDEGROOM CHRIST

( ST. JOHN OF THE CROSS)

INDEX
AND
INTRODUCTION
PART 1 PROLOGUE AND 40 STANZAS OF THE SPIRITUAL CANTICLE PART 2 EXPLANATION OF  STANZAS   1 TO 10 PART 3 EXPLANATION OF  STANZAS 11 TO 21 PART 4 EXPLANATION OF STANZAS 22 TO 30 PART 5 EXPLANATION OF STANZAS 31 TO 40 AND ENDNOTES

 

 

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